Photographer Eva Fidjeland – one of several artists to show their work at the AthensArt’s Annual Arts Festival at Hardeko in Bispgården, Jämtland, Sweden
Posted by Susanna at 8:23 PM, Apr 19, 2014 (Comments)
Category: Design & Art http://swedishscene.com/2014/04/photographer-eva-fidjeland-one.html
“The Red Lady” – digital photography by Eva Fidjeland
ON FRIDAY, May 2 at 6 p.m. there will be an art opening at Hardeko, Björkstigen 3 in Bispgården, Ragunda, Jämtland, Sweden, featuring Swedish photographer Eva Fidjeland and other artists. AthensArt is a network of artists living in different parts of the world, and every year they exhibit their work together. This year Sweden has been chosen as the country for AthensArt’s annual arts festival.
THE SHOW, which runs through May 11, is organized by Center of Arts 4 Seasons and Hardeko and Mr. Geert Weggen. For information about the participating artists, please visit http://athensart-2010.ning.com/.
EVA FIDJELAND is an artist, poet and photographer who lives in Orrefors, Sweden. She was born in Stockholm in 1955. Her art reflects cultural influences from childhood years spent in Portugal, Lebanon, Iran and Afghanistan. In 1978 she went to live in the artists’ village Ein Hod in Israel, where she learnt the art of making stained glass from Professor Joseph Chaaltiel — http://ein-hod.info/artists/ora.
Photography by Eva Fidjeland
UPON RETURNING to Sweden Ms. Fidjeland was approached by the Vasa Museum to reconstruct glass details for the famous Vasa Ship from the 17th century — http://www.vasamuseet.se/en/The-Ship. The new Vasa Museum was inaugurated in 1990.
Photography by Eva Fidjeland
EVA Fidjeland has exhibited her work at numerous museums and galleries in Sweden as well as abroad.
Photography by Eva Fidjeland
DOMINIC RICHARDSON, writer and editor of Art Bracket LLC (www.artbracket.com) writes this about Eva Fidjeland: “A new trend in visual art is emerging due to artist Eva Fidjeland’s implementation of an innovative, creative approach to the process of manufacturing art. The artist is known internationally for creating in a variety of mediums, from the traditional canvas to digital, and is currently presenting her work in a new style of collaborative art. The artist is displaying her creative expertise within the various mediums and is also transforming her physical expression and character for introduction within her creations. Fidjeland is seamlessly incorporating aspects of digital technology with visual and performing art, creating unique works that tell stories through intricate details.”
Eva Fidjeland’s Innovative Style of Digital Art
Posted by Online Art Gallery on February 23, 2014 at 8:05pm
by Dominic Richardson, writer/editor at Art Bracket LLC
Eva Fidjeland’s “Metamorphosis”
A new trend in visual art is emerging due to artist Eva Fidjeland’s implementation of an innovative, creative approach to the process of manufacturing art. The artist is known internationally for creating in a variety of mediums, from the traditional canvas to digital, and is currently presenting her work in a new style of collaborative art. The artist is displaying her creative expertise within the various mediums and is also transforming her physical expression and character for introduction within her creations. Fidjeland is seamlessly incorporating aspects of digital technology with visual and performing art, creating unique works that tell stories through intricate details.
Eva Fidjeland’s “Dragon”
Fidjeland’s extensive collection of digital photography captures the aesthetic details of her subjects, including still, animal and plant life. In a digital work entitled “Dragon”, Fidjeland presents a close perspective upon her subject, highlighting multiple intricate aesthetic details. Notice how the detail of the wings is of a different aesthetic quality than the legs and other areas of art. In the midst of these details, emerges the dragon fly’s expression, providing the observer with a neighboring view of its moment in time.
Eva Fidjeland’s “The Red Lady II”
Various stages of human expression are now at the center of Fidjeland’s innovative style in art. In a work entitled “The Red Lady II”, the artist takes a snapshot of a human expression, and accentuates specific details through texture, color and shading. The artist’s creative decisions, particularly pertaining the color and shading, establishes a precise expression of emotion and tone. Texture is a key visual factor within the art as the observers learn about Red Lady’s character through her choice of color in lipstick, the smoothness of her skin, and the covering of an eye with her hair.
Eva Fidjeland’s “The Birdwoman X”
Each digital photograph establishes a character through expression and visual detail. The character in “Birdwoman X”, for example, possesses a different style and emotional nature than the character Red Lady. Birdwoman’s color and shading, relative to the character’s hair, eyes, skin and lips, establishes character through exquisite shadings of brown, red and green. Performing a comparative facial analysis of the two characters will result in the depiction of two unique forms of expression.
Fidjeland is pioneering a new style in visual art that uses digital technology to place emphasis on the expressions and details within creations. Her work is innovative for seamlessly collaborating visual and performing art with digital techniques. The artist is embodying the concept of collaborative art through her creative process and details present in her creations.
Experience More Art by Eva Fidjeland
Eva Fidjeland’s Official Website
Eva Fidjeland’s Art Collection
Eva Fidjeland’s Art Captures the Human Experience
When art captures the essence of the human experience, it reveals aspects of humanity under a bright spotlight. The art emphasizes these qualities directly, pointing observers toward images that will challenge our current perspectives of the world. The artist, as the creator of such pieces of art, is responsible for the design and creation of these images; their process is similar to a process of unveiling, in which the artist will seek to bring the observer closer to truths through images.
Eva Fidjeland´s art brings observers closer to the process of heealing. Fidjeland´s art exists within an extraordinary global context. The world has separated the concept of healing with a dichotomous line. Eastern cultures typically incorporate healing concepts within their aspects of a life holistically, while many western cultures view healing as the recovery of illness or injury. Many citizens of the world carry a perception of healing that lays somewhere in between.
Eva Fidjeland´s art emphasizes these perceptions through captivating mixed media design, color and examination of the human body. Eva Fidjeland´s art asserts the concept of healing is far from esoteric; promoting the idea that healing is a natural, organic part of the human condition that connects us to the world in which we live.
DOMINIC RICHARDSON, writer/editor at Art Bracket LLC
I like the slight melancholy mystery of these images. In general, the softened color palette and contrast evokes a faded memory, but the primary forms have a bold function.
`Evolution´ employes a primordial form, spiraling up out of the water like a mythic sea creature. I also see the faintly grainy quality and washed out magenta tonality as harkening back to old photographic documentary film, though I´m unsure of the media/process actually employed here. I find the vertical orientation is also unexpected for the surreal landscape, as the weighty spiral form doesn´t appear able to sustain its upward thrust for long, as it curls into itself.
The piece entitled `Liz´ is an enticing picture as well; some more direct photographic reference to lizards is evident; but there is also a diffused manipulation of the image that muffles direct or overt pictorial representation. The resulting image calls to mind pictographic symbolism from a host of ethnic traditions and artistic eras. In this way, `Liz´ rminds me of a mellowed Florence Putterman painting. So the piece seems less about the natural subject depicted, and more about the state of flux, or evanescent movement.
(Written on May 11, 2013 by resident curator Kristen T Woodward, Professor of Art at Albright College in Reading PA, USA).
In a world where the majority of the world´s population is using social media websites like Facebook and Twitter to stay connected with audiences, artists who traditionally avoid the usage of technology in their careers are using the internet for self promotion and networking. While Google Adwords Keyword Tool and Alexa do not depict artists in mass numbers searching for arts-related keyword over the internet, the platforms do indicate that there is a rise in the number of artists who are using internet technologies, and social media websites in particular.
As I am formulating a dissertation around these ideas, I am constantly looking for real world examples of this on the internet. The artist who comes to mind is Eva Fidjeland of Sweden. Rather than running away from the usage of technology, Eva Fidjeland has embraced it by promoting her brand and art work on every social media website she comes in contact with. As a result, Eva Fidjeland has a plethora of material on Google, as well as other search engines. As her career continues to develop, art buyers and others will have the opportunity to learn more about Eva Fidjeland´s inspirations and even purchase her art work directly over the internet. While there are many artists selling their products on the internet today, few have participated in social media with a level of engagement similar yo Eva Fidjeland.
Article by Dominic Richardson, writer/editor at Art Bracket LLC